Two hearts and a champurria tongue: Thepoetic creation ofAdriana Pinda as communicative morphogenesis of the mapuche kim?n

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datacite.alternateIdentifier.citationALPHA-REVISTA DE ARTES LETRAS Y FILOSOFIA,Vol.,101-115,2022
datacite.alternateIdentifier.doi10.32735/S0718-22012022000551095
datacite.creatorBurdiles, Noelia Figueroa
datacite.creatorVerdugo, Demsi Figueroa
datacite.date2022
datacite.subject.englishMapuche poetry
datacite.subject.englishChampurria
datacite.subject.englishMorphogenesis
datacite.subject.englishInterculturality
datacite.subject.englishKim?n
datacite.titleTwo hearts and a champurria tongue: Thepoetic creation ofAdriana Pinda as communicative morphogenesis of the mapuche kim?n
dc.date.accessioned2023-06-08T15:48:13Z
dc.date.available2023-06-08T15:48:13Z
dc.description.abstractThe mapuche-huilliche poet Adriana Paredes Pinda calls herself 'champurria' as a way to distance herself from the linguistic and cultural purity of both the hegemonic tongue and formal mapudungun. This position, plus the knowledge of the poet as a bearer of the mapuche kimun as a machi, suggest the possibility of understanding her texts as communicative morphogenesis, taking heed of the notion of 'mestizaje' proposed by Gloria Anzaldua, Maria Lugones and Silvia Rivera Cusicanqui. The reading of the machi-poet demands of us a deeper knowledge of the mapuche kimun to understand the worlds created in her morphogenetic trance, as she dislocates both Spanish and Mapudungun on a measureless, unpredictable, intercultural, multiple textual unity.
dc.identifier.urihttps://repositoriodigital.uct.cl/handle/10925/5295
dc.language.isoen
dc.publisherUNIV LOS LAGOS
dc.sourceALPHA-REVISTA DE ARTES LETRAS Y FILOSOFIA
oaire.resourceTypeArticle
uct.indizacionAHCI
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