Two hearts and a champurria tongue: Thepoetic creation ofAdriana Pinda as communicative morphogenesis of the mapuche kim?n
Two hearts and a champurria tongue: Thepoetic creation ofAdriana Pinda as communicative morphogenesis of the mapuche kim?n
Authors
Burdiles, Noelia Figueroa
Verdugo, Demsi Figueroa
Verdugo, Demsi Figueroa
Profesor GuĆa
Authors
Date
Datos de publicaciĆ³n:
10.32735/S0718-22012022000551095
ALPHA-REVISTA DE ARTES LETRAS Y FILOSOFIA,Vol.,101-115,2022
ALPHA-REVISTA DE ARTES LETRAS Y FILOSOFIA,Vol.,101-115,2022
Tipo de recurso
Article
Keywords
Materia geogrƔfica
Collections
Abstract
The mapuche-huilliche poet Adriana Paredes Pinda calls herself 'champurria' as a way to distance herself from the linguistic and cultural purity of both the hegemonic tongue and formal mapudungun. This position, plus the knowledge of the poet as a bearer of the mapuche kimun as a machi, suggest the possibility of understanding her texts as communicative morphogenesis, taking heed of the notion of 'mestizaje' proposed by Gloria Anzaldua, Maria Lugones and Silvia Rivera Cusicanqui. The reading of the machi-poet demands of us a deeper knowledge of the mapuche kimun to understand the worlds created in her morphogenetic trance, as she dislocates both Spanish and Mapudungun on a measureless, unpredictable, intercultural, multiple textual unity.