Antonio Smith and landscape painting in Chile: school or tradition?

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datacite.alternateIdentifier.citationGOYA,Vol.,224-+,2020
datacite.creatorQuiroga, Samuel
datacite.creatorVillegas, Lorena
datacite.date2020
datacite.subject.englishLandscape
datacite.subject.englishschool
datacite.subject.englishtradition
datacite.subject.englishAntonio Smith
datacite.subject.englishCiccarelli
datacite.titleAntonio Smith and landscape painting in Chile: school or tradition?
dc.date.accessioned2021-04-30T16:31:15Z
dc.date.available2021-04-30T16:31:15Z
dc.description.abstractTwo central ideas are discussed in this article. Firstly, the intellectual debate in the field of Chilean art concerning the existence of a 'Chilean school of painting'. Secondly, the accepted thesis of the existence of a 'Chilean school of landscape'. A 'tradition' of landscape painting has clearly emerged within Chilean art, in which the work of Antonio Smith constitutes a key moment in its consolidation.
dc.identifier.urihttp://repositoriodigital.uct.cl/handle/10925/2828
dc.language.isoes
dc.publisherFUNDACION LAZARO GALDIANO
dc.sourceGOYA
oaire.resourceTypeWOS
oaire.resourceType.enArticle
uct.catalogadorWOS
uct.indizacionAHCI
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