Antonio Smith and landscape painting in Chile: school or tradition?

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dc.contributor.authorQuiroga, Samuel
dc.contributor.authorVillegas, Lorena
dc.date2020
dc.date.accessioned2021-04-30T16:31:15Z
dc.date.available2021-04-30T16:31:15Z
dc.description.abstractTwo central ideas are discussed in this article. Firstly, the intellectual debate in the field of Chilean art concerning the existence of a 'Chilean school of painting'. Secondly, the accepted thesis of the existence of a 'Chilean school of landscape'. A 'tradition' of landscape painting has clearly emerged within Chilean art, in which the work of Antonio Smith constitutes a key moment in its consolidation.
dc.identifier.citationGOYA,Vol.,224-+,2020
dc.identifier.urihttp://repositoriodigital.uct.cl/handle/10925/2828
dc.language.isoes
dc.publisherFUNDACION LAZARO GALDIANO
dc.sourceGOYA
dc.subject.englishLandscape
dc.subject.englishschool
dc.subject.englishtradition
dc.subject.englishAntonio Smith
dc.subject.englishCiccarelli
dc.titleAntonio Smith and landscape painting in Chile: school or tradition?
dc.typeArticle
uct.catalogadorWOS
uct.indizacionAHCI
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